Backstage Pass

Opening the door…

The cut: CUT THE SOCIALS

Mid-stream, swap every social feed to the card and finish backstage. The feeds don't end — they show the way in.

Fifteen minutes into a show that's live everywhere, you tap one button and the public feeds stop carrying the show. Your room keeps going. The audience over there sees the way in. That's the cut — the move that turns rented attention into a list you own, live, on camera.

The control room's bar: the LIVE chip, the room's count, and the CUT THE SOCIALS button
  1. The tense and the room's own count, live.
  2. CUT THE SOCIALS — behind one confirm, because it's the show's biggest move. What the socials will see is spelled out on the Destinations tab, in the card's own words.
The bar under the monitor. Red means live or cut — nothing else on the screen gets it.

What actually happens

The cut is a swap. Each social feed keeps its live session and starts receiving the card: this live has moved Backstage, the way in printed on it, and the same way in as a code to scan. Your picture is still running behind it — the card is a frame over the show, not a slab, and the audio keeps going. Because the sessions never end, platforms that can't restart a live stream are never harmed, and the swap back is as seamless as the cut. Meanwhile:

Coming back

Restore social feeds swaps every card back to the clean feed in one tap — cut by accident, or came backstage early, either way. Everything that swapped comes back seamlessly; a feed the platform's own rules made us end stays ended. Where the media plane can cut one feed at a time, each destination row also carries its own Cut and Restore — “cut Instagram now, YouTube in five minutes.” When the plane routes every feed through one program, the one big button is the honest control and per-row buttons don't pretend otherwise.

What the live records

The receipt shows each destination's final state with its cut time, and — when the room was actually sampled — how many of the people in your room at the cut were still there ten minutes later. A room that wasn't sampled shows nothing rather than a made-up zero.

Clips stay clean

Clips are cut from the room's clean recording. Nothing is ever clipped from the card composition, so a cut show still produces clean morning clips.

Keep reading — going live

Schedule a show

A scheduled show gets an RSVP page, a waiting room, and a door you can price — tickets, Pass gates, early bird, seats.

The control room and the waiting room

Two rooms before the show: the control room is your driving seat, and the waiting room is the live's own page where your fans wait.

GO LIVE

The one button: the exact reach number on screen before you tap, every platform at once, and a receipt after that sums.

Stages: breakouts and the After-Party

A second room on the same live, off the public feeds — its own door, its own chat, its own replay.

The drop

Stage it before doors, fire it when the moment's right. Numbered units, a 60-second hold, and money only ever moves on CONFIRM.

Moderation: you hold the ceiling

Set the stance once; it runs every stream, every stage, and every replay after. Louder actions always wait for you.

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