Backstage Pass

Opening the door…

GO LIVE

The one button: the exact reach number on screen before you tap, every platform at once, and a receipt after that sums.

The composer is the one screen the whole product exists for: who hears about it, where it plays, one tap. Open it with the GO LIVE button on the studio dashboard.

The GO LIVE composer: title, the guest list with live counts, the reach sentence, channel chips, the platform rows, and START BROADCAST
  1. WHO — the guest list. Pick segments; the counts are live rows, and "This is a big one" reaches fans who asked for big ones only.
  2. The reach sentence: you're about to notify this many by push and this many by email. This is the number you'll see on the receipt.
  3. WHERE — the front stage. BackstagePass is always on; checked platforms ride along, and fresh-key platforms ask for today's paste right here.
  4. The entitlement row and START BROADCAST — what this tap costs sits directly above the button that spends it.
The composer. The reach sentence is the product demo: the same query counts the preview, the send, and the receipt.

Who — the guest list

Segments are counted from rows fans actually wrote — everyone, Pass holders, the behavioral lists from your audience page. The preview under them is the same eligibility query as the send itself, so the number you see before the tap is the number on the receipt after. Every dial a fan set — fewer messages a week, big ones only, the daily roll-up — is honored, and every held send is counted on your receipt: held, never hidden.

How — the channels

Push is unmetered on every rung. Email is unmetered on paid rungs; the free rung shows its month's meter right on the chip, before anything sends. Texting is its own add-on with its own consent rules — no opt-in on file, no text, ever.

Where — the front stage

Your room is always on. Platforms you've connected and checked can be armed with a tap; a platform that mints a fresh key each show (Instagram, TikTok, Facebook) asks for today's paste right in the row — without it, that feed is skipped loudly rather than armed dead.

What START actually does

  1. Checks the room can back the claim. LIVE is a promise fans act on, so GO refuses unless media is actually flowing — your camera on stage in the control room, or your encoder pushing. A refused GO moves nothing: nobody is notified, no credit is spent, and the screen tells you exactly what to fix.
  2. Spends the entitlement, once. The row above the button says what this tap costs — your plan, a $27 credit, or the link to get one. A double-tap can't spend twice.
  3. Opens the doors. Everyone in the waiting room walks straight in; their page becomes the room without a reload.
  4. Sends the blast. Every eligible fan is told, on the rail that reaches them, exactly once. The counts land on the receipt.
  5. Lights the front stage. Each destination goes live and reports its own state on the control room's roster.

The pro move

Stream the first 15 minutes everywhere, then cut the socials and finish backstage. Your room, your list — the whole play is in the cut.

Per-platform connect instructions live in the setup guides.

Keep reading — going live

Schedule a show

A scheduled show gets an RSVP page, a waiting room, and a door you can price — tickets, Pass gates, early bird, seats.

The control room and the waiting room

Two rooms before the show: the control room is your driving seat, and the waiting room is the live's own page where your fans wait.

The cut: CUT THE SOCIALS

Mid-stream, swap every social feed to the card and finish backstage. The feeds don't end — they show the way in.

Stages: breakouts and the After-Party

A second room on the same live, off the public feeds — its own door, its own chat, its own replay.

The drop

Stage it before doors, fire it when the moment's right. Numbered units, a 60-second hold, and money only ever moves on CONFIRM.

Moderation: you hold the ceiling

Set the stance once; it runs every stream, every stage, and every replay after. Louder actions always wait for you.

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