Backstage Pass

Opening the door…

Unsubscribing and stopping texts

One creator or everything, one tap or one word. No opt-in on file means the message cannot be sent at all.

Stopping messages is one tap or one word, and it sticks — because consent here is structural. Once you've said stop, the sending machinery itself refuses: there is no list you linger on, no “final” email, no re-add.

One creator, or everything

Every email carries an unsubscribe link that names its sender. It offers both scopes on one screen:

The link works signed out — the token in the email is enough — and one-tap unsubscribe in mail apps lands on the same record.

Texts

Reply STOP to any text. That's the whole procedure — the reply writes the same consent record the settings switch does, and from that moment a text to you is impossible in the eligibility check itself, for every send, from anyone. Turning texts back on is equally deliberate: only you can do it, in your settings.

Push

Push is per device and per creator: turn a creator's push dial off in settings, or turn off push for this device entirely on the same page.

Quieter without leaving

Before stopping everything, the dials might be enough: Big ones only, a daily digest, a weekly cap — all per creator, all yours. See Following and how you're told.

What creators see

Counts, never names. A held or stopped message shows up on the creator's receipt as an aggregate — “12 held by their own settings” — and no surface anywhere shows which fan set which dial.

The full exit

Delete account, at the bottom of settings: contact details, follows and RSVPs go; active renewals are canceled with the biller first; the consent record is kept, as the law asks. Gone means gone.

Keep reading — for fans

Following and how you're told

Follow free and you're told the second they're live. Every dial — channels, what about, how often — is yours, and yours beat everything.

Entering a room

The room is the show: watch, chat, send hearts, tip on the moment. If the show hasn't started, you're in the waiting room.

Passes, tickets and drops

Money only ever buys proximity: standing in the room, a seat for a night, a numbered unit fired live. Watching stays free.

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